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Kingsborough Community
College HUM 1: Modern
Humanities: Arts & Ideas - 3 credits, 3 hours Course Description: Through the exploration of modern century literature, drama, art, film, poetry and music, this course places developments in the Humanities into historical context and illustrates the continuity of culture. College Now Description: This course introduces students to outstanding literature, art, film and music from the beginning of the 20th century to the present. By exploring the way these subjects are related, students develop a deeper understanding and appreciation of modern American culture and the individuals who influenced the humanities. Explanation: The Humanities give students a chance to find a cultural identity. The study of art, music, literature, theater, dance, film and other creative cultural endeavors in an interrelated historical context can lead to the discovery of meaning in life beyond the day-to-day reality of breadwinning needs-fulfillment. Course Objectives: Upon completion of this course, students will have:
Topical Course Outline: A. Introduction B. Images
of Culture in the 20th Century to the Present Methods of Teaching: The instructor is expected to use a variety of approaches.
Assignments: The instructor is expected to use a variety of assignments.
Method of Evaluation: The instructor is required to use a variety of means for evaluating students' knowledge and appreciation of the Humanities and the creative process, such as:
Suggested Textbook:
Gloria K. Fiero: The Humanistic Tradition, Vol. 6, McGraw-Hill,
2003. A.
Reading 2.
Theater 3.
Poetry B.
Music 2.
Instructor (CD) Library (on loan to instructor from KCC) 3.
Student Listening Cassettes (on loan to student from KCC) D.
Film 2.
Other BIBLIOGRAPHY Abramson, Doris, E. Negro Playwrights in the American Theatre. (New York: Columbia University Press, 1969). Anders, Gunther. Franz Kafka. (London: Bowes & Bowes, 1970). Arnason, H.H. History of Modern Art. (London/New York, 1969). Arnheim, Rudolf. Guernica: The Genesis of a Painting. (Berkeley, University of California Press). Babcock, Gregory, ed. Minimal Art, A Critical Anthology. (New York: E. P. Dutton, 1968). Balliet, Whitney. Jelly Roll, Jabbo and Fats. (New York, Oxford U. Press, 1983). Belz, Carl. The Story of Rock (2nd Ed). (New York, Oxford U. Press, 1972). Bloomfield, Stanley and Levitsky, Jeffrey, Ed. The College Now Poetry Anthology. (Brooklyn, N.Y. Unpublished ms., 1989). Bochner, Jay. "New York Secession." Modernism: Challenges and Perspectives. Ed. Monique Chefdor, and Ricardo Quinones. (Urbana, Illinois: U. of Illinois Press, 1986). Bois, Yves-Alain. "Painting, the Task of Mourning." Painting as Model. (Cambridge, Mass., MIT Press, 1990). Boroff, Edith. A History of Music in Western Europe and the United States. (New York, Little Brown, 1972). Boulez, Pierre. "Alia," Notes of an Apprenticeship. (1957). Brustein, Robert. Revolution as Theatre: Notes on the New Radical Style. Cage, John. Silence. (Middletown, Conn.: Wesleyan U. Press, 1961). Camus, Albert. "Hope and Absurdity," The Kafka Problem. ed. Angel Flores. (New York: Gordian Press, 1975). Carr, Ian. Miles Davis. (New York, William Morrow, 1982). DeFleur, Dennis, Understanding Mass Communication. (New York: Houghton Mifflin). DeNitto, Herman. Film and the Critical Eye. (New York: MacMillian). Dijkstra, Bram. "Wallace Stevens and William Carlos Williams: Poetry, Painting, and the Function of Reality." Encounters: Essays on Literature and the Visual Arts. Ed. John Dixon Hunt. (New York: W.W. Norton, 1971). Dixon, Hunt. (New York: W.W. Norton, 1971) Eble, Kenneth. F. Scott Fitzgerald. (New York: Twayne, 1963). Esslin, Martin. The Theatre of the Absurd. Rev. Ed. (Garden City, N.Y. Doubleday & Company, Inc., 1969). Gassner, John. The Theatre in Our Times: A Survey of the Men, Materials and Movements in the Modern Theatre. (New York: Crown Publishers, 1954). Gray, Christopher. Cubist Aesthetic Theories. (Baltimore: Johns Hopkins, 1967). Gray, Ronald. ed. Kafka. Collected Critical Essays. (New York: Prentice-Hall, 1962). Greenberg, Clement. Art and Culture, Critical Essays. (Boston, Beacon Press, 1965). Griffiths, Paul. Modern Music: The Avant-Garde Since 1945. (New York: George Brazilier, 1981). Grossvogel, David. The Blasphemers: The Theatre of Brecht, Ionesco, Beckett, Genet. (Cornell U. Press, 1965). Hal-koch, Jelena, ed. Arnold Schoenberg, Wassily Kandinsky Letters, Pictures and Documents. Translated by K.C. Crawford. (London: Faber and Faber, 1984). Hardison, O.B. Jr. Disappearing through the Skylight: Culture and Technology in the Twentieth Century. (New York: Viking Press, 1989). Haskell, Barbara. Blam! The Explosion of Pop, Minimalism, and Performance, 1958-1964. (New York: W.W. Norton, 1984). Hauser, Arnold. A Social History of Art, Vol. 4: Naturalism, Impressionism, the Film Age. (New York: Vintage). Heighton/Cunningham. Advertising in the Broadcast and Cable Media. (New York: Wadsworth). Heller, Erich. Franz Kafka. (New York: Viking, 1974). Herrigel, Eugen. Zen and the Art of Archery. (New York: Vintage Books, 1971). Holiday, Billy. Lady Sings the Blues. (New York: Lancer Books, 1956). Jinks, William. The Celluloid Literature. (New York: Glencoe Press). Jones, LeRoi. Black Music. (New York: Apollo Books, 1968). Jones, LeRoi. Blues People. (New York: William Morrow). Kazin, Alfred. Ed. F Scott Fitzgerald, The Man and his Work. (New York: Collier, 1966). Kelly, John. "The Trial and the Theology of Crisis." The Kafka Problem. Angel Flores, Ed. (New York: Gordian Press, 1975). Kuna, Franz. Ed. On Kafka: Semi-Centenary Perspectives. (Harper Row, 1976). Lamont, Rosette. Ionesco. (New York: Prentice Hall, 1973). Lippard, Lucy and others. Pop Art. (London/New York, 1966). McLuhan, Marshall. The Medium is the Message. (New York: Bantam Books, 1967). Morgan, Robert. "Secret Languages: The Roots of Musical Modernism." Modernism: Challenges and Perspectives, ed. Monique Cheflor, and Ricardo Quinones. (Urbana, Illinois: U. of Illinois Press, 1986). Richter, Hans. DADA: Art and Anti-Art. (New York: Oxford U. Press, 1978). Rosenberg, Harold. The Tradition of the New. (New York, Horizon, 1959). Schoenberg, Arnold. Style and Idea. (New York, Philosophical Library, 1950). Shattuck, Roger. The Banquet Years. (New York: Anchor Books, 1961). Spanini, Alberto. "The Trial." The Kafka Problem. Ed. Angel Flores. (New York: Gordian Press, 1975). Stravinsky, Igor. The Poetics of Music. (Cambridge, Massachusetts: Harvard U. Press, 1942). Suchlov, Boris. "Franz Kafka." An Anthology of Marxist Criticism ed. and Trans. Kenneth Hughes. (Hanover, New Hampshire: U. Press of New England, 1981). Tirro, Frank. Jazz, A History. (New York, W.W. Norton, 1977). Tomkins,
Calvin. The Bride and the Bachelors. (New York: Viking Press, 1962).
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